Europa Report (2013)

When it's over, the visuals were the most memorable. Europa Report impressed me with its camera work, set design, and space photography. Six astronauts travel to one of Jupiter's moon, Europa, in search of life. What they find is both magical and frightening. The film used found footage photography, similar to films such as Apollo 18, Cloverfield, and Blair Witch Project. Adding further to the docu-drama was narration and interview style filming, which were all utilized to fool the viewers into believing they were watching a documentary. There was no linear storyline and sporadic scenes confused more than informed, but thankfully, the jumps in timeline flattened half way through the film. The acting was good, especially from Sharlto Copley and Michael Nyqvist, but not engaging, primarily due to character development in the script. The story evolved, but the characters did not. Part exploration film and part science fiction horror, it was crucial for me to like the characters in order for me to accept their fates as they were eliminated one at a time, following the classic horror formula. Unfortunately, I found myself routing for no one. I liked that the characters had diverse personalities, but disappointed the filmmakers failed to explore those differences, which would have made the story more compelling. Still, the film's attention to details held my interest to the very end, and served to be an intelligent science fiction film for science fiction lovers. 

My rating: 3 out of 5

This is the End (2013)

When it's over, and the end comes, make sure you're not in James Franco's house. I will admit, I laughed more than I thought I would. The stupidity and idiotic behaviors were simply over the top. I don't think writers, Seth Rogen and Evan Goldberg, missed anything in their zany story about six celebrities (Rogen, Franco, Jay Baruchel, Jonah Hill, Danny McBride, Craig Robinson) who find refuge at Franco's house when the apocalypse happens. There were elements of the supernatural, Biblical references, gore, severed limbs, drugs, gratuitous violence, graphic sex, and plenty of foul language. Am I missing anything? Oh yes, plenty of penis jokes, which were not funny or seeing the devil with his privates dangling did little to enhance the story. The Rapture from 1 Thessalonian 4:17 was the only human element of the story, because it forced the characters to re-evaluate their behaviors towards each other and humanity, so they may be chosen into heaven. Without this plot line, I think the film would have been a senseless romp. This film was primarily a comedy before it was a horror film, so viewers should prepare themselves for the crude antics of these comedians. This is the End was not the best comedy I've seen nor was it particularly intelligent, but it was certainly unique, and it surprised me. It had a well picked cast to pull off director Rogen's vision of the end. Aside for it's shortcomings, I liked it a lot!

My rating: 4 out of 5

Lincoln (2012)

When it's over, Daniel Day-Lewis was brilliant. I completely bought his performance. The costumes and set designs whisked me into the world of southern belles, slavery, and northern industrialism. All these elements made Lincoln a film worth viewing, but viewed only once. I would not sit through another 150 minutes of drawn out scenes filled with political banter. Clearly, the film's title was misleading. This was not a film about Abraham Lincoln, but about a specific time during his presidency, notably The Emancipation Proclamation and the passing of the 13th Amendment to the United States Constitution, which abolished slavery and involuntary servitude. The film chronicled the few months leading up to Lincoln's assassination, and his uphill struggle to get the amendment passed. I was disappointed that Director Steven Spielberg spent no time showing Lincoln's past (poverty, childhood, his difficulties in school), because who he was as a president stemmed greatly from his upbringing and his struggles prior to his presidency. I knew enough about Lincoln's life to understand his conviction to end slavery and his devotion to “the people,” but even my extended knowledge did little to draw me into the story. I can only imagine how indifferent a viewer may have felt having gone into this film without any prior knowledge of Lincoln's life. This was one film where back story was crucial and completely missing. Pity...a great director directing a great actor about one of the greatest men in history equaled a not-so-great film.

My rating: 2.5 out of 5

Now You See Me (2013)

When it’s over, I did not see the end coming. An FBI agent (Mark Ruffalo) and an Interpol Agent (Melanie Laurent) must find proof that the Four Horsemen (Woody Harrelson, Jesse Eisenberg, Isla Fisher, Dave Franco) are robbers, but the road to proof and answers leads them down a path of dark secrets and illusions. The story is quite simple – revenge and justice. The backdrop is the hook, as the illusions are really, really cool. Even if the film had no story, I think the magic would be enough to sustain my attention. But, the film does have a clever story, thanks to veteran writers, Ed Solomon and Boaz Yakin, and new screenwriter, Edward Ricourt. I like the twists and turns, where characters and situations are not what they seem. In the tradition of “illusionist” films, such as The Prestige (2006) and The Illusionists (2006), the viewer is led down a path of what appears to be truth, only to be fooled in the end. The casting is great throughout, in particular Woody Harrelson and Mark Ruffalo, who are both so good at making their characters unique and memorable. Jesse Eisenberg is a huge surprise, and I like his turn towards more mature roles. Romance? There is just a tip of one, which never gets its full due. It does not blossom, but rather, just happens. Despite this disadvantage, the film tries to please and succeeds on many levels, by appealing to a wide audience. Part magic show, part heist film, Now You See Me surprises me at every turn, where "the closer you look, the less you see."

My rating: 4 out of 5

On the Road (2012)

When it's over, life is a road trip, and sometimes you run out of gas. The film's title is appropriate as it follows a would be writer (Sam Riley), a wanderer (Garrett Hedlund), and the woman (Kristin Stewart) that share their beds and affections with across 1960's USA. This is not a mainstream film and definitely, not for everyone. It is not linear, where the characters go from point A to point B. I mean, physically they do, but emotionally, they are all over the map. I think they are sex-crazed, weed loving youngsters in search of self discovery and their purpose in life in a time when America demanded people should be safe, normal, and unpredictable. The idea of conformity is what makes the characters act and react with their sense of free-spirit, which results in personal scarring. Based on the generation defining book by Jack Kerouac, the filmmakers attempt to examine the human psyche through the characters' reckless actions, taking them further from what they are seeking. There is emptiness and yearning in the characters, but I cannot tap into them. The casting does not work for me. The actors are awkward together, and in some scenes, such as the orgy scenes, the awkwardness works to develop the characters, but in general, the actors do not fit well together. Perhaps, this is the story's intent? Not sure, since I have not read Kerouac's book. I just know their presence does nothing to pull me into their lives. Dean Moriarty is a tragic figure, who wants to do good, but cannot fight the impulse to be bad. This is a role that needed charisma to work, and Hedlund did not have that spark to make me care. Marylou is searching for something tangible, but is too afraid to reach out and grab it. Stewart fails to communicate something unspoken. Sal Paradise is trying to find inspiration and direction, but gets derailed in the process. Riley has the innocence, but not the manliness to pull off the transition. I really like the concept of this story, its daring nature, and the cinematography, but do not agree with how it is packaged. Less focus on the explicit scenes of sex and drugs, and more details on the characters' lives would have given me greater insight to their motivations and inner longings.

My rating: 2.5 out of 5